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 Brushes are possibly the most important investment an artist can make, because the quality of the brush used has almost as much power to damage or beautify a work as the orchestrating artist. Although certain brushes are recommended for specific types of media, brush selection should be based on personal choice.
Long handle brushes are generally good for oil and acrylic painting and short handle brushes for watercolor - this is based on the painter's distance from the artwork. Because acrylics dry quickly, they can damage the hairs on a natural brush more easily than a synthetic. Therefore, synthetic brushes can be recommended for acrylics. Bristle brushes are often recommended for the beginning oil painter because they're economical and hold a good deal of paint. Natural soft hair brushes absorb water well and are good for watercolors.
Brush construction is an intricate and impressive process that seemingly defies our age of technology. The brush heads of natural brushes are still shaped by hand and the tips of the brushes are the natural tips of the hairs on the animal. Any cutting and shaping that is done to the brush hair takes place on the side of the hair that is bound within the ferrule. Most brushes have three parts: a tuft of natural or synthetic hairs, a ferrule and a handle. The hairs are arranged and then centered into the ferrule. The best brushes have ferrules that are seamless to keep solvents from leaking inside. |
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