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Brushes & Palettes > Brushes - Open Stock

Brushes - Open Stock

Oil & Acrylic Brushes
 Escoda Chungking Bristle Brushes
 Escoda Takatsu Brushes
 Liquitex Free Style Large Scale Brushes
 Plaza Georgetown Bristle Brushes
 Plaza Montgomery Synthetic Mongoose Brushes
 Plaza Richmond Synthetic Sable Brushes
 Princeton Series 6100 Brushes
 Princeton Series 6300 Brushes
 Raphael Red Sable Brushes
 Robert Simmons Signet Natural Bristle Brushes
 Silver Brush Grand Prix Premium Bristle Brushes
 Winsor & Newton Artists' Oil Brushes
 Winsor & Newton Eclipse Black Sable (Fitch) Brushes
 Winsor & Newton Monarch Brushes
Watercolor & Gouache Brushes
 Escoda Tame Fiber Brushes
 Niji Waterbrushes
 Plaza Fairfax Taklon Brushes
 Princeton Series 4050 Brushes
 Raphael Kolinsky Sable Brushes
 Winsor & Newton Artists' Water Color Sable Brushes
 Winsor & Newton Series 7 Sable Brushes
 Winsor & Newton Wash & One Stroke Brushes
All Media & Craft Brushes
 Foam Brushes & Sets
Varnish & Wash Brushes
 Escoda Gold Toray Mottlers
Sumi & Oriental Painting Brushes
 Princeton Bamboo Watercolor Brushes
 Winsor & Newton Hake Brushes
Gesso Brushes
 Princeton Gesso Brushes
Travel Brushes
 Escoda Kolinsky-Tajmyr Pocket Brushes

Artists' Brushes

Brushes are possibly the most important investment an artist can make, because the quality of the brush used has almost as much power to damage or beautify a work as the orchestrating artist. Although certain brushes are recommended for specific types of media, brush selection should be based on personal choice.

Long handle brushes are generally good for oil and acrylic painting and short handle brushes for watercolor - this is based on the painter's distance from the artwork. Because acrylics dry quickly, they can damage the hairs on a natural brush more easily than a synthetic. Therefore, synthetic brushes can be recommended for acrylics. Bristle brushes are often recommended for the beginning oil painter because they're economical and hold a good deal of paint. Natural soft hair brushes absorb water well and are good for watercolors.

Brush construction is an intricate and impressive process that seemingly defies our age of technology. The brush heads of natural brushes are still shaped by hand and the tips of the brushes are the natural tips of the hairs on the animal. Any cutting and shaping that is done to the brush hair takes place on the side of the hair that is bound within the ferrule. Most brushes have three parts: a tuft of natural or synthetic hairs, a ferrule and a handle. The hairs are arranged and then centered into the ferrule. The best brushes have ferrules that are seamless to keep solvents from leaking inside.

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